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Dwayne Michael Carter, Jr. was born on September 27, 1982, and grew up in the Hollygrove neighborhood of New Orleans, Louisiana.[3] He was born when his mother, a cook, was 19 years old. His parents divorced when he was 2, and his father permanently abandoned the family. Although Lil Wayne and Birdman have a father-son relationship and Birdman calls Carter his son, Lil Wayne’s biological father and namesake (Dwayne Carter) is still alive. Lil Wayne has also spoken about his deceased stepfather, Rabbit, who he has said he considers his real father. Carter has a tattoo dedicated to Rabbit, who was murdered before Carter became a star.[4] Carter enrolled in the gifted program of Lafayette Elementary School and in the drama club of Eleanor McMain Secondary School.[5] Lil Wayne attended McMain in the early 1990s for two years. He moved to the Marion Abramson Senior High School.[6]
In a CBS interview with Katie Couric, Wayne described why he goes by the name of "Wayne" instead of his given name, Dwayne. Carter explained, "I dropped the D because I'm a junior and my father is living and he's not in my life and he's never been in my life. So I don't want to be Dwayne, I'd rather be Wayne". Couric asked Wayne if his father knew of this and Wayne replied with a smile, "He knows now."[7]
He wrote his first rap song at age eight.[8] In the summer of 1991, he met Bryan Williams, rapper and owner of Cash Money Records. Carter recorded freestyle raps on Williams's answering machine, leading him to mentor the young Carter and include him in Cash Money-distributed songs. He also recorded his first ever collaboration album True Story with rapper B.G.. At the time, Carter was 11, and B.G. was 14, and was billed as "The B.G.'z".[9] When he was 12, he played the part of the Tin Man in his middle school drama club's production of The Wiz.[10] At age 12, he accidentally shot himself with a 9 mm handgun, and off-duty police officer Robert Hoobler drove him to the hospital.[11] At McMain Magnet School, Carter was an honor student, but he dropped out at the age of 14 to focus on a musical career.[12]
Career
1996–99: Career beginnings and Hot Boys
In 1996, Carter joined the Hot Boys along with rappers Juvenile, B.G., and Turk. At age 15, Carter was the youngest member at the time. Hot Boys' debut album Get It How U Live! was released the same year, followed in 1999 by the group's major-label debut Guerrilla Warfare,[3] which reached No. 1 on the Billboard Top R&B/Hip-Hop Albums chart and No. 5 on the Billboard 200.[13] During their career, the Hot Boys had two charting singles, "We on Fire" from Get It How U Live! and "I Need a Hot Girl" from Guerrilla Warfare.[14] Carter was also featured on Juvenile's single "Back That Azz Up", which reached No. 18 on the Billboard Hot 100 and No. 5 on the Hot R&B/Hip-Hop Singles & Tracks.[15] Let 'Em Burn, a compilation album of unreleased tracks recorded during 1999 and 2000, came out in 2003, several years after the group disbanded.[16] It reached No. 3 on the Top R&B/Hip-Hop Albums chart and No. 14 on the Billboard 200.[13]
1999–2002: Tha Block Is Hot, Lights Out, and 500 Degreez
Carter's debut solo album Tha Block Is Hot was released when he was 17 and featured significant contributions from the Hot Boys. It debuted at No. 3 on the Billboard 200 and was later certified platinum by the RIAA.[3] The album earned Carter a 1999 Source magazine nomination for "Best New Artist",[17] and also became a Top Ten hit.[3] The lead single was "Tha Block Is Hot". After the release of Tha Block is Hot, Carter was featured on the single "Bling Bling", with B.G., Juvenile, and Big Tymers. His verse appeared only on the radio version of the song, while on the album version he performed on the chorus.
His 2000 follow-up album Lights Out failed to attain the level of success achieved by his debut[3] but was certified gold by RIAA.[18] Critics noted the lack of coherent narratives in his verses as evidence that he had yet to mature to the level of his fellow Hot Boys.[19] The lead single was "Get Off the Corner", which was noticed for an improvement in its lyrical content and style. The second single, which received less attention, was "Shine" featuring the Hot Boys. Near the release of Lights Out, Lil Wayne was featured on the single, "Number One Stunna" with Big Tymers and Juvenile, which peaked at No. 24 on the Hot Rap Tracks chart.
Lil Wayne's third album 500 Degreez, released in 2002, followed the format of his previous two, with significant contributions from the Hot Boys and Mannie Fresh. While being certified gold like its predecessor,[18] it also failed to match the success of his debut.[3] The title was a reference to the recently estranged Hot Boys member Juvenile's recording, 400 Degreez.[20] The lead single was "Way of Life" which failed to match the success of his previous singles. After the release of 500 Degreez, Wayne was featured on the single "Neva Get Enuf" by 3LW.[21]
2003–06: Tha Carter, Tha Carter II, and Like Father, Like Son
In the summer of 2004, Wayne's album Tha Carter was released, marking what critics considered advancement in his rapping style and lyrical themes.[22] In addition, the album's cover art featured the debut of Wayne's now-signature dreadlocks.[3] Tha Carter gained Wayne significant recognition, selling 878,000 copies in the United States, while the single "Go DJ" became a Top 5 Hit on the R&B/Hip-Hop chart.[23] After the release of Tha Carter, Lil Wayne was featured in Destiny's Child's single "Soldier" with T.I., which peaked at No. 3 on the Billboard Hot 100 and the Hot R&B/Hip-Hop Songs charts.[24]
Tha Carter II, the follow-up to the original Tha Carter album, was released in December 2005, this time without production by longtime Cash Money Records producer Mannie Fresh, who had since left the label. Tha Carter II sold more than 238,000 copies in its first week of release, debuting at No. 2 on the Billboard 200 albums chart, and went on to sell 2,000,000 copies worldwide. The lead single "Fireman" became a hit in the US, peaking at 32 on the Billboard Hot 100 chart. Other singles included "Grown Man" with Currensy, "Hustler Musik", and "Shooter" with R&B singer Robin Thicke. Lil Wayne also appeared on a remix of Bobby Valentino's "Tell Me", which rose to No. 13 on the U.S. R&B Charts. In 2005, Lil Wayne was named president of Cash Money, and in the same year he founded Young Money Entertainment as an imprint of Cash Money.[25] However, as of late 2007, Lil Wayne reported that he has stepped down from the management of both labels and has handed management of Young Money over to Cortez Bryant.[26]
In 2006, Lil Wayne collaborated with rapper Birdman for the album Like Father, Like Son, whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100.
2006–08: Mixtapes and collaborations
Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles.[3] Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush," in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. Numerous of features in prominent hip-hop magazines such as XXL[27] and Vibe[12] covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."[5]
Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart,[28] was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.[29]
Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song.[12] At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game",[30] The New Yorker magazine ranked him "Rapper of the Year",[9] and GQ magazine named him "Workaholic of the Year".[31] In 2008 he was named "Best MC" by Rolling Stone.[5] Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice.[32]
In a CBS interview with Katie Couric, Wayne described why he goes by the name of "Wayne" instead of his given name, Dwayne. Carter explained, "I dropped the D because I'm a junior and my father is living and he's not in my life and he's never been in my life. So I don't want to be Dwayne, I'd rather be Wayne". Couric asked Wayne if his father knew of this and Wayne replied with a smile, "He knows now."[7]
He wrote his first rap song at age eight.[8] In the summer of 1991, he met Bryan Williams, rapper and owner of Cash Money Records. Carter recorded freestyle raps on Williams's answering machine, leading him to mentor the young Carter and include him in Cash Money-distributed songs. He also recorded his first ever collaboration album True Story with rapper B.G.. At the time, Carter was 11, and B.G. was 14, and was billed as "The B.G.'z".[9] When he was 12, he played the part of the Tin Man in his middle school drama club's production of The Wiz.[10] At age 12, he accidentally shot himself with a 9 mm handgun, and off-duty police officer Robert Hoobler drove him to the hospital.[11] At McMain Magnet School, Carter was an honor student, but he dropped out at the age of 14 to focus on a musical career.[12]
Career
1996–99: Career beginnings and Hot Boys
In 1996, Carter joined the Hot Boys along with rappers Juvenile, B.G., and Turk. At age 15, Carter was the youngest member at the time. Hot Boys' debut album Get It How U Live! was released the same year, followed in 1999 by the group's major-label debut Guerrilla Warfare,[3] which reached No. 1 on the Billboard Top R&B/Hip-Hop Albums chart and No. 5 on the Billboard 200.[13] During their career, the Hot Boys had two charting singles, "We on Fire" from Get It How U Live! and "I Need a Hot Girl" from Guerrilla Warfare.[14] Carter was also featured on Juvenile's single "Back That Azz Up", which reached No. 18 on the Billboard Hot 100 and No. 5 on the Hot R&B/Hip-Hop Singles & Tracks.[15] Let 'Em Burn, a compilation album of unreleased tracks recorded during 1999 and 2000, came out in 2003, several years after the group disbanded.[16] It reached No. 3 on the Top R&B/Hip-Hop Albums chart and No. 14 on the Billboard 200.[13]
1999–2002: Tha Block Is Hot, Lights Out, and 500 Degreez
Carter's debut solo album Tha Block Is Hot was released when he was 17 and featured significant contributions from the Hot Boys. It debuted at No. 3 on the Billboard 200 and was later certified platinum by the RIAA.[3] The album earned Carter a 1999 Source magazine nomination for "Best New Artist",[17] and also became a Top Ten hit.[3] The lead single was "Tha Block Is Hot". After the release of Tha Block is Hot, Carter was featured on the single "Bling Bling", with B.G., Juvenile, and Big Tymers. His verse appeared only on the radio version of the song, while on the album version he performed on the chorus.
His 2000 follow-up album Lights Out failed to attain the level of success achieved by his debut[3] but was certified gold by RIAA.[18] Critics noted the lack of coherent narratives in his verses as evidence that he had yet to mature to the level of his fellow Hot Boys.[19] The lead single was "Get Off the Corner", which was noticed for an improvement in its lyrical content and style. The second single, which received less attention, was "Shine" featuring the Hot Boys. Near the release of Lights Out, Lil Wayne was featured on the single, "Number One Stunna" with Big Tymers and Juvenile, which peaked at No. 24 on the Hot Rap Tracks chart.
Lil Wayne's third album 500 Degreez, released in 2002, followed the format of his previous two, with significant contributions from the Hot Boys and Mannie Fresh. While being certified gold like its predecessor,[18] it also failed to match the success of his debut.[3] The title was a reference to the recently estranged Hot Boys member Juvenile's recording, 400 Degreez.[20] The lead single was "Way of Life" which failed to match the success of his previous singles. After the release of 500 Degreez, Wayne was featured on the single "Neva Get Enuf" by 3LW.[21]
2003–06: Tha Carter, Tha Carter II, and Like Father, Like Son
In the summer of 2004, Wayne's album Tha Carter was released, marking what critics considered advancement in his rapping style and lyrical themes.[22] In addition, the album's cover art featured the debut of Wayne's now-signature dreadlocks.[3] Tha Carter gained Wayne significant recognition, selling 878,000 copies in the United States, while the single "Go DJ" became a Top 5 Hit on the R&B/Hip-Hop chart.[23] After the release of Tha Carter, Lil Wayne was featured in Destiny's Child's single "Soldier" with T.I., which peaked at No. 3 on the Billboard Hot 100 and the Hot R&B/Hip-Hop Songs charts.[24]
Tha Carter II, the follow-up to the original Tha Carter album, was released in December 2005, this time without production by longtime Cash Money Records producer Mannie Fresh, who had since left the label. Tha Carter II sold more than 238,000 copies in its first week of release, debuting at No. 2 on the Billboard 200 albums chart, and went on to sell 2,000,000 copies worldwide. The lead single "Fireman" became a hit in the US, peaking at 32 on the Billboard Hot 100 chart. Other singles included "Grown Man" with Currensy, "Hustler Musik", and "Shooter" with R&B singer Robin Thicke. Lil Wayne also appeared on a remix of Bobby Valentino's "Tell Me", which rose to No. 13 on the U.S. R&B Charts. In 2005, Lil Wayne was named president of Cash Money, and in the same year he founded Young Money Entertainment as an imprint of Cash Money.[25] However, as of late 2007, Lil Wayne reported that he has stepped down from the management of both labels and has handed management of Young Money over to Cortez Bryant.[26]
In 2006, Lil Wayne collaborated with rapper Birdman for the album Like Father, Like Son, whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100.
2006–08: Mixtapes and collaborations
Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles.[3] Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush," in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. Numerous of features in prominent hip-hop magazines such as XXL[27] and Vibe[12] covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."[5]
Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart,[28] was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.[29]
Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song.[12] At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game",[30] The New Yorker magazine ranked him "Rapper of the Year",[9] and GQ magazine named him "Workaholic of the Year".[31] In 2008 he was named "Best MC" by Rolling Stone.[5] Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice.[32]
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